To not be confused with a equally titled sci-fi suspense movie that squeaked into launch in July, this River, which premiered on the Telluride Movie Competition, is a visually majestic, considerably airborne journey over all kinds of rivers around the globe. It’s, on a moment-to-moment foundation, beautiful to behold, and there are ecological messages to be acquired by the receptive. On the identical time, a bit of of this could go a great distance, and there’s a stage of pretension that will likely be indulged by some and never by others.

Rivers, the narration aptly factors out, are the veins of the world, the supply of life with out which human, animal and vegetation would shortly expire. Visually, Jennifer Peedom’s movie is a spectacular show of, and tribute to, the dashing waters that feed the planet. The uncredited cinematography, a lot of it in slow-motion, is uniformly magnificent, because the serenely floating cameras seize the liquid’s textures, velocity, risks, unpredictability and thrilling magnificence, revealing views that you just’d by no means see in actual life.

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Nonetheless, there’s the nagging concern of an excessive amount of of a very good factor. Bolstered by insistent classical music performed by the Australian Chamber Orchestra and overly sanctimonious narration delivered in very deliberate tones by Willem Dafoe, the movie slowly however certainly acquires the air of a finger-wagging ecological lesson somewhat than event to be embraced as one sees match. The injury that people have wrought is self-evident in lots of the photographs, so to be force-fed extra faculty lecture materials on a really acquainted topic is, to place some extent on it, off-putting and alienating.

Which is a disgrace, because the footage is genuinely spectacular. The cameras glide in a stately method over the staggering number of waterways. We see water dashing, fish leaping, mud and dry land the place rivers used to stream, dams and their penalties.

Nonetheless, as lovely because it all is, at a sure level one is inclined to shout, “Sufficient, already,” and get on to one thing with some tangible which means that’s not simply window dressing for a similar ecological classes we’ve been listening to for many years. It’s each beautiful and nearly unbearably pretentious, exquisitely dressed however with nowhere new to go.

Director Peedom beforehand made Sherpa, about contentious and tragic mountaineering incidents within the Himalayas, in 2016, after which Mountain, in an analogous vein to the current movie.

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